The Well-tempered Clavier (Book II): Prelude and Fugue No. 14


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Genre Categories Preludes ; Fugues ; For keyboard ; Scores featuring keyboard soloists ; For 1 player ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For 2 violins, viola, cello arr ; For 4 players ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; For organ arr ; Scores featuring the organ ; For violin, viola arr.

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Bach - WTC II (Angela Hewitt) - Prelude & Fugue No. 14 in F-Sharp Minor BWV 883

Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Creative Commons Attribution Non-commercial 3. Creative Commons Attribution Share Alike 3. Praeludia und Fugen durch alle Tone und Semitonia Alt ernative. Retrieved from " http: This page is only for complete editions and multiple selections from Das wohltemperierte Klavier II.


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  7. Preludes ; Fugues ; For keyboard ; Scores featuring keyboard soloists ; For 1 player ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For 2 violins, viola, cello arr ; For 4 players ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; For organ arr ; Scores featuring the organ ; For violin, viola arr. Contents 1 Performances 1.

    Recordings

    Performer Pages Peter Bradley-Fulgoni piano. Dates and locations of recordings. Javascript is required for this feature. These file s are part of the Werner Icking Music Collection. Staatsbibliothek zu Berlin D-B: In the year The two major primary sources for this collection of Preludes and Fugues are the "London Original" LO manuscript, dated between and , with scribes including Bach, his wife Anna Magdalena and his oldest son Wilhelm Friedeman, which is the basis for Version A of WTC II , [29] and for Version B, that is the version published by the 19th-century Bach-Gesellschaft , a copy primarily written by Johann Christoph Altnickol Bach's son-in-law , with some corrections by Bach, and later also by Altnickol and others.

    Prelude as a theme with variations.

    Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann Sebastian)

    Fugue in three voices. Musically, the structural regularities of the Well-Tempered Clavier encompass an extraordinarily wide range of styles, more so than most pieces in the literature. The preludes are also notable for their odd or irregular numbers of measures, in terms of both the phrases and the total number of measures in a given prelude. Each fugue is marked with the number of voices, from two to five.

    Most are three- and four-voiced fugues, and there are only two five-voiced fugues BWV and , and one two-voiced fugue BWV The fugues employ a full range of contrapuntal devices fugal exposition, thematic inversion, stretto , etc. Several attempts have been made to analyse the motivic connections between each prelude and fugue, [31] — most notably Wilhelm Werker [32] and Johann Nepomuk David [33] The most direct motivic reference appears in the B major set from Book 1, in which the fugue subject uses the first four notes of the prelude, in the same metric position but at half speed.

    Both books of the Well-Tempered Clavier were widely circulated in manuscript, but printed copies were not made until , by three publishers almost simultaneously in Bonn, Leipzig and Zurich. But, with the maturing of the Classical style in the s, the Well-Tempered Clavier began to influence the course of musical history, with Haydn and Mozart studying the work closely. Mozart transcribed some of the fugues of the Well-Tempered Clavier for string ensemble: Bach's example inspired numerous composers of the 19th century, for instance in Chopin started composing his 24 Preludes, Op.

    In the 20th century Dmitri Shostakovich wrote his 24 Preludes and Fugues , an even closer reference to Bach's model. The best-known piece from either book is the first prelude of Book I.

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    Anna Magdalena Bach copied a short version of this prelude in her Notebook No. Helmut Walcha , better known as an organist, recorded both books between and on a harpsichord. Anthony Newman has recorded it three times — twice on harpsichord and once on piano. As of , over recordings have been documented, [51] including the above keyboard instruments as well as transcriptions for ensembles and also synthesizers.

    Harpsichord performances of various parts of Book I by Martha Goldstein are in the public domain. In March , the pianist Kimiko Douglass-Ishizaka released a new and complete recording of Book 1 into the public domain.

    The Well-Tempered Clavier - Wikipedia

    From Wikipedia, the free encyclopedia. Played by Raymond Smullyan. Prelude and Fugue E major. Played by Randolph Hokanson. Prelude and Fugue B minor.

    Prelude & Fugue in F sharp Minor - From the Well tempered Clavier - Book II No. 14 - For Piano Duet

    Prelude in B minor. Books I and II, complete". The Definitive Guide to Classical Music. Seven Generations of Creative Genius , pp. Oxford University Press, Thematisches Verzeichnis der musikalischen Werke. Labyrinthus musicus, Calculus musicus, facsimile of the manuscripts. Diapason Press, Utrecht, Having placed your order you will receive confirmation of the order and receipt of the payment. If you are within the UK and need a particular piece of music post haste, express delivery can be made through the normal enquiry form, however please note although nearly all get a response within 24 Hrs, occasionally there can be a delay.

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